yellow magic orchestra live 21


On a number of occasions Ryuichi Sakamoto has joined in on Sketch Show performances and recording sessions. Earn up to 5x points when you use your eBay Mastercard. The most popular international hit from the album was "Firecracker", which would be released as a single the following year and again as "Computer Game", which became a success in the United States and Europe. [19] The same year, Sakamoto released his own solo album, The Thousand Knives of Ryuichi Sakamoto, experimenting with a similar fusion between electronic music and traditional Japanese music in early 1978. [93], YMO's use of video game sounds and bleeps also had a particularly big influence on 1980s hip hop[94] and pop music. When released in 1981, the album's reception was positive.

This item will be shipped through the Global Shipping Program and includes international tracking. [32], They also had similar success abroad, performing to sold-out crowds during tours in the United States and Europe. [10][15], Sakamoto first worked with Hosono as a member of his live band in 1976, while Yukihiro Takahashi recruited Sakamoto to produce his debut solo recording in 1977 following the split of the Sadistic Mika Band. Making abundant use of new synthesizers, samplers, sequencers, drum machines, computers and digital recording technology as it became available, as well as utilizing cyberpunk-ish lyrics sung mostly in English, they extended their popularity and influence beyond Japan.

The title stands for "Background music". by Yukihiro Takahashi", "Yellow Magic Orchestra Versus Human League, The – YMO Versus The Human League", "Mariah 'Ripped Off' Twice on Same Record", "Derrick May on the roots of techno at RBMA Bass Camp Japan 2010", Hi-Tech/No Crime: Yellow Magic Orchestra Reconstructed, "Ikonika interview: Producer and DJ, Ikonika had an incredible 2010", "Camouflage Emphasizes That It Is Its Own Band", "Yellow Magic Orchestra & Friends: The Influence of Japanese Technopop", "Nothin' Like the Reel Thing: Soundtrack & Film Score News", "Popular Computer's Top 5 Japanese Music Artists", EUYMO – Yellow Magic Orchestra Live in London + Gijón 2008, UC YMO: Ultimate Collection of Yellow Magic Orchestra, Tighten Up (Japanese Gentlemen Stand Up Please! Sellers declare the item's customs value and must comply with customs declaration laws.

Stereo Review described the recording as "crystalline" and the performance as "the twain meet", praising the album for its "remarkable" blend between "East and West", its "catchy tunes", its "ambitious collection of electronics" and for "pushing at the frontiers of electronic rock", but noted that this affected the album's accessibility. In 2012, Sakamoto helped organize the No Nukes 2012 festival held in the Makuhari Messe hall in Chiba, Japan on July 7 and 8, 2012. [24] Yellow Magic Orchestra was also the first computer-themed music album, coming before Kraftwerk's Computer World (1981) by several years. [27] Jackson's version was never released until his first posthumous album, Michael, though his additional lyrics were included in later cover versions of the song by Greg Phillinganes, Eric Clapton, and Ryuichi Sakamoto himself in his 1986 solo release Media Bahn Live. Share on Facebook - opens in a new window or tab, Share on Twitter - opens in a new window or tab, Share on Pinterest - opens in a new window or tab. [22][23] The group leader Haruomi Hosono had already been using an Ace Tone rhythm machine since early in his career in the early 1970s. [4] The group is considered influential and innovative in the field of popular electronic music.

[46] Their alternative template for electronic pop was less minimalistic, made more varying use of synthesizer lines, introduced "fun-loving and breezy" sounds,[47] and placed a strong emphasis on melody[45] in contrast to Kraftwerk's statuesque "robot pop". [54] Their 1978 hit "Computer Game / Firecracker", for example, sampled Martin Denny's 1959 exotica melody "Firecracker"[16] and arcade game sounds from Space Invaders and Circus. This led to the YMO being offered an international deal, at which point (early 1979) the three members decided the group would be given priority over their solo careers. 17 in the UK Charts. [62] While the machine was initially unsuccessful due to its lack of digital sampling that the rival Linn LM-1 offered, the TR-808 featured various unique artificial percussion sounds,[62] including a deep bass kick drum,[63][64] "tinny handclap sounds",[64] "the ticky snare, the tishy hi-hats (open and closed)", and "the spacey cowbell",[62] which YMO utilized and demonstrated in their music, as early as its year of release in 1980, paving the way for the TR-808's mainstream popularity several years later,[62][63] after which it would be used for more hit records than any other drum machine[65] and continue to be widely used through to the present day. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. Please enter a number less than or equal to 5. The hand-clap sound was later publicized on this album, being used again on "1000 Knives" and in "Music Plans", another of Sakamoto's songs. [69][70] By the 1990s, YMO were also frequently cited as pioneers of ambient house music. Any international shipping and import charges are paid in part to Pitney Bowes Inc. International shipping and import charges paid to Pitney Bowes Inc. International shipping paid to Pitney Bowes Inc. Any international shipping is paid in part to Pitney Bowes Inc. 30 day returns. [16] Their albums Solid State Survivor and X∞Multiplies held the top two spots on the Oricon charts for seven consecutive weeks in 1980, making YMO the only band in Japanese chart history to achieve this feat. This album was produced by Haruomi Hosono. A similar sound was previously used by YMO members Haruomi Hosono and Ryuichi Sakamoto for their 1978 album Cochin Moon. [35], The band had paused their group activities by 1984. [48], The band also drew from a wider range of influences than had been employed by Kraftwerk. [40] Not long after, a concert for June 27, 2011, at The Warfield was added. Recently performing live as Human Audio Sponge; Hosono, Sakamoto and Takahashi did a live performance together as Yellow Magic Orchestra for the Live Earth, Kyoto, event on July 7, 2007, which raised money and awareness of a "climate in crisis". [citation needed]. Like most YMO albums, song titles were printed in both Japanese and English, as listed below.

"[76], YMO are considered pioneers in the field of popular electronic music, and continue to be remixed or sampled by modern artists,[4] including experimental artist Yamantaka Eye, electronica group LFO, jungle band 4hero, electrolatino artist Senor Coconut, ambient house pioneers The Orb and 808 State,[11] electronic music groups Orbital[27] and The Human League,[74] hip hop pioneer Afrika Bambaataa,[3] and mainstream pop musicians such as Michael Jackson, Quincy Jones, Greg Phillinganes,[27] Eric Clapton, Mariah Carey, and Jennifer Lopez. [11] The group leader Haruomi Hosono had been using an Ace Tone rhythm machine since early in his career in the early 1970s. "来たるべきもの" more accurately translates to "What should come". The group is considered influential and innovative in the field of popular electronic music.

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